The proposal seeks to operate the realm of the heroditian anti-monument found in the concept of the labyrinth, and seeks to occupy the ambiguous space of definition between landscape (not architecture) and architecture (not landscape). The museum is conceived as a composite structure above, within, and of the earth. Although autonomous in relation to its monolithic, mile-long form, the museum finds its placement upon and within the site, nested in relation to the drifting characteristics of the local natural terrain and monumental pyramids in the distance.